Barring It All, Part 1

Thanks to some perceptive comments on fasola-songwriters and elsewhere, I’m going to revisit my previous post on rhythm and meter. ¬†Two comments that intrigued me were Leah Velleman’s idea that there might be a generative theory of rhythm that applies to shape-note hymnody and Tarik Wareh’s observation that rhythm and the placement of bar lines … Continue reading “Barring It All, Part 1”