Tag: text setting
Barring It All, Part 1
Thanks to some perceptive comments on fasola-songwriters and elsewhere, I’m going to revisit my previous post on rhythm and meter. Two comments that intrigued me were Leah Velleman’s idea that there might be a generative theory of rhythm that applies to shape-note hymnody and Tarik Wareh’s observation that rhythm and the placement of bar lines … Continue reading “Barring It All, Part 1”
Meter, Rhythm, and the Most Awkward Farewell
Here’s a sequel to my previous post on tune families. After reading Charles Seeger’s article ”Versions and variants of the tunes of ‘Barbara Allen,’” I was intrigued by the idea of adding rhythm to my analysis of tune families. In this post, I’m going to explore the contribution of rhythm to a tune’s identity. Since … Continue reading “Meter, Rhythm, and the Most Awkward Farewell”