Tag: text setting

  • Barring It All, Part 1

    Thanks to some perceptive comments on fasola-songwriters and elsewhere, I’m going to revisit my previous post on rhythm and meter.  Two comments that intrigued me were Leah Velleman’s idea that there might be a generative theory of rhythm that applies to shape-note hymnody and Tarik Wareh’s observation that rhythm and the placement of bar lines…

  • Meter, Rhythm, and the Most Awkward Farewell

    Here’s a sequel to my previous post on tune families.  After reading Charles Seeger’s article ”Versions and variants of the tunes of ‘Barbara Allen,’” I was intrigued by the idea of adding rhythm to my analysis of tune families.  In this post, I’m going to explore the contribution of rhythm to a tune’s identity.  Since…